Crackerjack (1994)
Crackerjack is a Die Hard rip-off! Cheesy dialogue, cheap sets which Christopher Plummer somehow makes cool.
Continue readingCrackerjack is a Die Hard rip-off! Cheesy dialogue, cheap sets which Christopher Plummer somehow makes cool.
Continue readingTurbulence is a terrible movie. Its plot is thin, most characters secondary to the central gimmick, and its execution leans heavily on audience complicity. However, it functions perfectly as an “enjoyably stupid” piece of cinema.
Continue readingThe title of Terrorismo Diario (originally Los violadores del amanecer and alternatively known as The Dawn Patrol or most controversially The Dawn Rapists) immediately signals its intent: unadulterated exploitation, designed to provoke a visceral reaction.
Continue readingFor enthusiasts of 90s low-budget action cinema, especially those familiar with PM Entertainment’s output, The Underground offers a nostalgic trip through gritted teeth.
Continue readingAfter the gleefully juvenile fun of Ghoulies III, it’s genuinely disappointing to see the series stumble so badly with its fourth instalment. Ghoulies IV feels like a regression
Continue readingA dive into the 1976 “Euro-crime” cinema entry The Sicilian Cross with Roger Moore and Stacy Keach. From low-stakes anticipation, expecting a disaster and coming out surprised by a few sparks of chemistry.
Continue readingGhoulies III stands tallest in the franchise. It’s a high-spirited, gloriously stupid, and surprisingly effective piece of late-80s horror-comedy.
Continue readingAnother entry into the “Slasher Sports” marathon, Graduation Day was a hit in 1981 and survives for its “whodunit” structure and a final twist that some will see coming but still shows some imaginative creativity
Continue readingIf the first film was a failed attempt at a serious occult horror, Ghoulies II is the franchise finally realising it’s supposed to be a party.
Continue readingSometimes you stumble upon a cinematic gem that feels like a personal discovery. That was my experience with Terminal Exposure.
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