Dawn of the Dead (2004)
Dawn of the Dead (2004) is a wild, fast-paced remake of George A. Romero’s 1978 classic
Continue readingThe homepage of Gareth Myles.
Dawn of the Dead (2004) is a wild, fast-paced remake of George A. Romero’s 1978 classic
Continue readingThe Mother of Tears, directed by Dario Argento, is a disappointing conclusion to the Three Mothers trilogy following Suspiria and Inferno.
Continue readingThe 1990 remake of Night of the Living Dead is indeed a notable example of how to successfully reinvigorate a classic film while maintaining its core spirit.
Continue readingDario Argento’s Inferno is a visually stunning but narratively flawed sequel/followup to Suspiria.
Continue readingThough now a cult classic, Romero’s Day of the Dead had mixed initial reviews. Critics praised Savini’s gore, but the narrative is seen as a slow, dark slog focused on unlikable characters and frustrating power struggles in a bunker.
Continue readingSuspiria is a landmark horror film that easily captivates it’s audience
Continue readingGeorge A. Romero’s “Dawn of the Dead” (1978) defined the modern zombie genre, cementing tropes like slow hordes & headshots. Its satire on consumer culture and commentary on societal decay make it a masterclass in entertainment & social commentary.
Continue readingReturn of the Evil Dead is a frustrating, lazy sequel that reuses footage and loses the original’s threat by making the Blind Dead vulnerable to silence. Its plot is riddled with gaps, the action is flawed, and the climax is nonexistent.
Continue readingGeorge A. Romero’s 1968 film Night of the Living Dead revolutionised horror with its self-imposed limitations, creating the modern zombie genre & potent social commentary. Its influence can be seen in countless films, from Sam Raimi to The Walking Dead.
Continue readingThe Pick Up flips the buddy-cop script, casting Eddie Murphy as the straight man opposite Pete Davidson’s lazy “manchild” routine. Despite passable action, the film suffers from crude humor, a wasted villain arc, and a squandered Andrew Dice Clay cameo. It’s forgettably fun.
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