Day of the Dead (1985)

For many, Romero’s third outing in the series, Day of the Dead, has undergone a significant re-evaluation and is now widely regarded as a cult classic and an essential part of the “Dead” trilogy. When originally released the film received mixed reviews, some critics were generally negative.

The initial hook of Day of the Dead is undeniably captivating, delivering on its promise of intense zombie action and thrusting the audience into a world where survival hangs in the balance. The setup of a battalion of heroes navigating a zombie-infested Florida is thrilling, and the opening sequence effectively sets the tone for the rest of the film.

However, as soon as the initial chaos subsides and the characters find temporary refuge beneath the earth, the momentum falters. What follows is a grueling 90-minute slog through a complex web of power struggles, alliances, and personal agendas, which can be more frustrating than thrilling. The film’s attempt to explore deeper themes of leadership, loyalty, and sacrifice feels forced and contrived at times, diluting what should be the core tension driving the story.

One major disappointment is that Day of the Dead fails to tap into its audience’s imagination in the same way as its predecessor had, Dawn of the Dead. While the first film cleverly subverted expectations with the scientists, this sequel doesn’t quite live up to the same standard. The pacing becomes plodding, and the characters’ motivations start to feel overly simplistic, making it difficult for viewers to become emotionally invested in their plight.

Visually, Day of the Dead is not particularly impressive, with a predominantly dark colour palette that makes the setting feel cramped and oppressive. While some standout performances from Pilato and Amplas do help elevate the runtime, the rest of the cast struggles. The notable exception being Tom Savini’s groundbreaking practical gore effects.

Ultimately, the film’s inability to balance its various plot threads leads to a narrative that feels overstuffed and shallow. With so many characters vying for attention and competing interests, it’s challenging to determine who deserves our support or sympathy. The overall experience is marred by an over-reliance on melodrama, leaving viewers feeling detached from the heroes as they navigate their desperate struggle for survival.

While Day of the Dead may not quite meet my expectations, it still has its moments. Fans of the genre will likely appreciate the zombie-infested Florida setting and the initial action sequences, which deliver on the promise of intense undead mayhem. However, those seeking a more engaging narrative with memorable characters and unexpected twists might find themselves disappointed. If you’re a die-hard fan of the franchise or have high hopes for its potential, Day of the Dead is worth watching; otherwise, it’s essential to approach with tempered expectations.

---